#to literally kill the false idea of herself that was made to mimic a version of herself she created for her survival and-
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marriage in ada solidarity
(I am continuing to rant abt re6 in the tags bc i pissed myself off)
Leon stans be like "Leon Kennedy would neverđĽ°" "Leon Kennedy would treat me rightđĽ°đĽ°" when this man's average lines are "womenđ" and "following a lady's lead just isn't my style" and "maybe you're not heartless after all" to a woman who's saved his life 27473 times
#she IS the entire plot#the whole conflict revolves around Simmons and his bullshit that was all due to him being disgusting about her#i find it wild how much the game glosses over that and how fucking WEIRD dude is bc the plot only cares abt him killing the president#like yes obviously thats a big deal LMAO but bruh#the conflict of the game is kind of built on mistreatment of women and misogyny sexism and objectification#like this guy kidnapped 12000 women and they just ignore that part of this dude LMAO#dude GOT AWAY with that like hes on the level of umbrella levels of inhumane horrific bullshit#but the plot is so busy with how he wronged leon that its like a#now of course i play RE6 with a very biased lens and i could be going on and spitting about NOTHING but like#im praying you get it bc im so passionate abt this subject LMAO#this dude's objectification and fetishized idealization and expectation of Ada and his fixation that she âbetrayedâ him is super ironic#given our poster boy who is like the main guy who goes after Simmons#hate that too like Ada shouldve gotten the final kill not Leon lmao#she kills the ideal and false objectified fetishized and fantasized concept of who she is and who she is supposed to be-#and shows sympathy for the woman who had her life ruined and taken from her in the process#and she swears upon going after the disgusting individual who did that shit and SHE DOESNT EVEN GET TO HAVE THE KILL??? BRUH#for a game where the conflict is so built from mistreatment of women to make ALL the female characers side accessories and unimportant is#well its very telling#and to make ALL misogynists the protagonists like i didnt forget Chris and his fucking âyour here to serve drinks and look prettyâ line#piers would never tho#shouldve been Ada as the protagonist i tell you#its so REFLECTIVE of how misogynistic capcom is and then you have the added elements of how they treated Sherry like its disgusting#im quite insane about re6 in not a good way#this rant has been sitting in my pysche for 7 years#also god how traumatizing that has to be for ada dude like i made myself cry lmao bc shes so fucking strong lmao like thats cheesy but bro#to literally kill the false idea of herself that was made to mimic a version of herself she created for her survival and-#to hear her own voice taunt her as this version of her that creeps and misogynists want/percieve her to be claims to be the real her is hHHH#also Carla being literally who th a t part of the fanbase seems to think Ada is (evil. only toys with ppl. betrays everyone. etc etc)#pretty wild#she deserved to kill the antagonists and be the lead character. i rest my case.
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Tangled Salt Marathon - The Alchemist Returns
Strap in folks, cause this is going to be a long one. In truth, there are very few flaws in this episode, but in order to explain them I have to really get into some character analysis first.Â
Summary:Â Varian comes to Rapunzel for help in finding the remnants of the mystical golden flower, which may hold the key to stopping the Black Rocks. Working together, they venture through the old tunnels beneath Corona. Meanwhile Cass and Eugene work together to figure out who drugged the castleâs populace with a truth serum.Â
Behold! The One and Only Time Frederic is Called Out on His BS; and Nothing Comes of It.Â
Rapunzel finally, finally stands up to her dad and points out both his abusiveness and his poor leadership. It doesnât affect the narrative in anyway. Neither character learns anything from this nor changes their points of view. This conversation might as well not have happened given how the characters behave in later episodes/seasons.Â
The only reason this scene exists is to give Rapunzel motivation for stealing the flower within the episode. A goal that she changes her mind about towards the end. Thereby walking back on such motivation and putting us back at square one with her development.Â
Rapunzel Isnât Being Truthful With Herself Nor the AudienceÂ
So people aren't always one hundred percent truthful about what they want and their goals. Especially if it involves admitting something about yourself or a loved one that you donât want to acknowledge. Fictional characters are meant to give the illusion of being real so they can sometimes mimic this behavior. Â
Throughout the episode Rapunzel keeps on assisting that sheâs doing this âfor Coronaâ, but weâre given context clues along side that to tell us that her real reasons are about her relationship with her father.Â
Unfortunately, the show has a bad habit of not communicating information clearly and also has a history of expecting the audience to take what the characters say at face value. Ergo, itâs easy to miss Rapunzelâs true motivations and thereby fail to fully understand her actions and decisions throughout.Â
Once Again, These Prophetic Dreams Go NowhereÂ
Dream Varian mentions Rapunzel has a âdestinyâ but the show never spells out what that destiny actually is nor why she needs to fulfill it. Sure thereâs a big quest for the moonstone in season two, but the rocks stop being a threat by then so really, she doesnât actually need to go on that quest. In fact, she would save a lot of people at lot of trouble if she did nothing at all. Thatâs poor storytelling. You need something driving the action; a reason to motivate the hero. Â
Secondly, we never get an explanation for why she randomly has these dreams in the first season but for none of the others. Nor why Varian is at the center of the them when itâs other villains she needs to actually be warned about, like say Zhan Tiri.Â
No, the real reason why this dream sequence exists is just to reiterate Rapunzelâs internal conflict. She wants a relationship with her Dad, but heâs a male Gothel, and sheâs now caught in the middle of his and Varianâs conflict because she failed to take responsibility when she needed to. And is still failing because she doesnât want to shatter her illusions about Frederic.Â
Shoving the main protagonistâs driving conflit into a subtextual dream sequence is lazy. Especially since we get no official resolution to said conflict. Rapunzel never acknowledges the problem here, never follows up on any type of action, and she never faces any true consequences for ignoring the issue.Â
She carries on believing in her fantasy version of Frederic, even as he continues to do harmful things, and the narrative just rewards both her and him for it.Â
There Should Have Been an Episode Showing the Audience Varianâs Side of the StoryÂ
What happened to Varian in between Queen for a Day and this episode is told only through context clues. Nothing is stated outright, meaning the audience has to rely too heavily on inference and are left to piece together what happened on their own like a puzzle. Thatâs poor writing.Â
Even something as simple as âhow much time has pastâ (its three months btw, S1 is six months long and QfaD is the meant to be the midpoint) is left up to the viewer to keep up with rather then being clearly stated. This is made even harder to do by the marketing team showing most of the episodes out of order.Â
You need to clearly relay information to your audience. That means repeating said information in a variety of ways over the course of the story. Have those context clues, but also have more overt hints, and direct reveals interspersed along with that. Especially when dealing with the motivations and goals of the character driving the main plot.Â
Even if you attribute the lack of a Varain episode to the âtwistâ in this one, (a twist that was revealed in QfaD anyways) thereâs still no excuse for why we didnât get a flashback episode afterwards to fill this hole in narrative out. Â
Donât Pretend Ignorance RapunzelÂ
Nigel literally repeated the rumor to her face last episode. She knows her father is lying about the rocks and attacked her for the scroll. She knows from the letter that those same guards were chasing down Varian for said scroll. She knows about Coronaâs laws and what would happen to Varian if the guards caught him.Â
There is zero reason for her to be acting like this is new information. Let alone have any right to feign concern after three months of ignoring his plea for help.
Thatâs what I mean about the series not communicating clearly and wanting the audience to take things at face value. The show deliberately has the characters say things that contradict established events to try and get the audience on their side.Â
The episode is trying to telling us, âSee! Rapunzel is innocent in all this cause she didnât know, but sheâs trying to make up for it nowâ. Yet, if youâve been watching and paying attention to the details, you know thatâs not the truth here.Â
Good writing is about communicating ideas to your audience. But this show canât decide on which idea to communicate. Is Rapunzel at fault or no? You canât have it both ways. Either she screwed up and thereby caused the conflict in question now or she didnât. If she didnât, then events shouldnât progress like they do. If she did, then it needs to be acknowledged and she needs to held accountable by the narrative. Â
More Hints into Rapunzel's True MotivationÂ
I canât stress this enough. Rapunzelâs reasons for stealing the flower has nothing to do with Corona. That is an excuse. Itâs about trying to find out what her Dad is hiding from her and why heâs lying to her. This comment right here is what compels Raps to go along with his plan. Â
Also...
Varian Isnât Lying Here
I also want to make it perfectly clear that Varian is being upfront with Raps. He tells her his plan is to steal the flower and why. Sheâs the one that makes the assumption that this entails them only taking one petal and the assumption that âall our problemsâ only means saving Corona. Even though saving Corona and saving Quirin are the same problem. (more on this later)Â
Itâs important to understand Rapunzelâs thought process and her true motivations in order to make sense of her actions later in the story.Â
Rapunzelâs internal conflict is her need for autonomy versus her fear of rejection. The âfor Coronaâ and âone petalâ excuses are used because she thinks theyâll play well with her Dad. In order words, theyâre reassurances to her that should she get caught and have to face her fatherâs disapproval then she could counteract his arguments with his own belief system about âputting the kingdomâs needs firstâ and âfollowing your own inner voice.âÂ
And yes, both Rapunzel and Frederic are big fat hypocrites for this, but Rapunzel hasnât acknowledged that fact to herself and is trying to convince herself throughout the episode to believe in her own excuses.Â
Why Do You Care About Treason Rapunzel?Â
For context, treason is the highest crime in any country. Itâs punishable by death, even in the real world. Now each country has its own legal definition of what constitutes as treason. Here in a America, in Article III, Section 3 of the United States Constitution, treason is specifically limited to levying war against the US, or adhering to their enemies, giving them aid and comfort. And only during a time of war. Legally, a time of war has to be approved by the US congress. Technically, congress hasnât declared war since World War II. This is why certain people havenât been convicted of treason like acts both in, and out of, later US conflicts because the definition is arguably too narrow and specific. But itâs intentionally that way to help prevent false accusations and to keep people in power from murdering their political opposition.Â
Before the US, treason just meant opposing the ruler of the land in any way. The founding fathers committed treason just by signing the Declaration of Independence. They all would have been executed had the US lost the revolution. Here in Corona, that old definition still stands. Simple theft of royal property, a non violent act, is considered treason and we already know itâs punishment. Eugene stole royal property and was almost hanged for it in the movie.Â
Now Rapunzel though, she is royalty. This stuff sheâs stealing is technically her own property. Sheâll inherit all of these things once Queen. Moreover, we all know that Frederic wouldnât harm Rapunzel let alone kill her. Sheâs not in any real danger here. So why does she care?Â
Remember that Rapunzelâs internal conflict is personal autonomy versus her fear of rejection. She only hesitates in her pursuit of answers when reminded of Fredericâs possible disapproval. Thatâs why she stops under his frowning picture to say this. âTreasonâ only means possible rejection or disapproval from her father. The worst thing she faces is another argument with him. Â
Meanwhile, Varianâs life is very much at stake here. He is risking everything, quite literally, to save his father. But his life was arguably forfeit as soon as Frederic decided he wanted the scroll. Whatâs to prevent the king from claiming that as his own property even when itâs really not? If heâs already sent guards after Varian and the scroll then thatâs precisely what heâs already done.Â
The series is acting like Rapunzel is the reasonable one here because she questions stealing, but the reality is sheâs being selfish and willfully obtuse. Multiple lives are at stake here, including the one of the person she is talking to right now. Breaking the law, defying her father, in order to save those lives shouldnât even be in question at all.Â
Corona and Quirin Arenât Conflicting Interests.Â
Quirin and Corona are both facing the same problem. Solving one will inevitably mean solving the other. Any distinction between the two is solely created within Rapunzelâs own mind.Â
She does this to to hide her true motivations and conflict from herself. The show does this to try and villainize Varian over Frederic.Â
Thereâs a clear bias in who the series wants you to root for and so it skews the perception of whatâs actually at stake by creating a non-existent competition between Quirinâs life and the countryâs safety. Even though Quirin, Varian, and Old Corona are all apart of the kingdom. Theyâre all Rapunzelâs and Federicâs responsibly too. Saving Quirinâs life should be more than reason enough to steal the flower on itâs own.Â
But this is âRapunzelâs showâ and according to the creators, that means that her personal feelings are more important than actual human lives. Not really, but thatâs their mindset and approach to conflicts in the show.
Rapunzelâs True Motivation is Revealed
So weâve followed the hints, but here it is stated outright. This was never about Corona, the rocks,Varianâs safety, nor Quirinâs life. This is about her need for autonomy. Her own personal quest for assertiveness. Sheâs been bullied and abused by two steprate parental figures now and sheâs growing tired of it. Which is understandable and valid, but it shouldnât be made more important than everyone elseâs problems. Everytime Rapunzel says âfor Coronaâ, she really means âfor herself.âÂ
Rapunzel Shouldnât be the Only Person Solving the Obstacles Here
Varian is just as smart as Rapunzel, if not smarter. This has been established throughout the show both before and after this episode. Meanwhile, Rapunzel is more physically adept than Varian. This whole sequence in the tunnels should have been both Rapunzel and Varian teaming up and complementing the otherâs skill sets. They need to be on equal footing in order to sell their conflict later on. But the show deliberately down plays Varianâs competence in this episode in an effort to make Rapunzel look good. Â
âGirl powerâ shouldnât mean making the character perfect. It especially shouldnât mean making other characters weaker in comparison. Women want equality. That means we want to see female characters treated as people. That means we want female characters to be flawed while still contributing to the plot same as the male characters. That doesnât mean we want to be paraded around as the only competent person in the room. We want to be on the same level as the boys not above them.  Â
Over idealization and glorification of âstrongâ female characters is just as problematic as damsels in distresses.
Writers like Chris Sonnenburg grew up during the heyday of Third-wave Feminism. Right on the cusp between second-wave and third-wave points of view as women really started to challenge Hollywoodâs portrayal of themselves as homemakers and love interests. They wanted to be the heroes for once. Starting in the 60s and reaching pick popularity in the 70s and early 80s, film makers responded by making female characters who could physically fight but either failed to give them any sort of depth and/or made them the only archetype available. Â
Chris, and several other male writers who lived during this era, have internalized this approach by default without actually examining how it came into existence nor why women would no longer be satisfied by this portrayal of them, if they ever were. All weâve done is trade one stereotype for another, as male creators fetishize what was once meant to be an attempt to empower ourselves.   Â
Had Chis actually brought more female writers onto the show and listened to the criticisms from his female crew, he could have better avoided problems like the one above. But instead he dug in his heels and insisted that he already knew what we wanted. He doesnât.Â
Why Would You Assume This Eugene?
Varian hasnât actually done anything wrong yet. His worst crimes are drugging people with a magic potion, which is what Xavier did without consequence only two episodes ago, and attempting to steal a magical healing flower that the king has been hoarding from his subjects anyways. A king who has been persecuting Varian unfairly and they know this because of Quest for Varian.Â
Eugene of all people should be sympathetic towards Varianâs plight. Heâs been there himself. He should also know that the rumors about Varian attacking Rapunzel are untrue because Raps told him about the events of Queen for a Day herself.Â
Meanwhile Cassandra was actually there. She knows Varianâs problems and is supposedly his âfriend.â She has even less reason to be hostile towards him.Â
But once again, the series has the characters respond to things that contradict established events in order to create a bias in the audience. âSee, Eugene and Cass doesnât trust Varian and neither should Rapunzel. See, how evil he really is?â It tries to tell us. In order to convince us to excuse Fredericâs behavior so that when the series does just that through Rapunzel choosing his side weâll be on board with it. You know, unless you have been paying attention, already have a developed moral code, and the reasoning facilities of an adult.Â
Rapunzel Lacks Empathy  Â
Keep in mind, âfor Coronaâ really means âfor herselfâ. The only competition between Quirin and the kingdom is one that sheâs fabricated in her own mind. Varian not caring about the island punctures holes into her excuses. Even though Varian is a fourteen/fifteen year old who holds no responsibility for the safety of a whole country. Especially one thatâs mistreated him. Of course his fatherâs life is going to be more important to him.Â
What Rapunzel is really asking here is, âWhy don't you care about what I care about?â âWhy arenât you concerned about my feelings over your own?âÂ
Which makes sense for her character. Sheâs a woman who has been trapped in a tower her whole life. She lacks the experience needed to be an empathetic person. Sheâs never had to grieve before. The only permanent death sheâs known is that of her abuser. Her trauma over nearly losing Eugene and Pascal was the fear of loss, not the actual process of living without someone. Rapunzel has no framework of reference in order to truly understand what Varian is going through.Â
Sympathy is feeling sorry for someone. Empathy is understanding how a person feels. Rapunzel may be a sympathetic person but sheâs not an empathetic one and thereâs a difference between being âniceâ and being kind. The show presents to us a woman who needs to learn that difference. The problem is that she never does.Â
This is actually a brilliant conflict and point of characterization. Itâs taking what we already know about a character and expanding upon it to give us believable flaws that impact the story. I actually like this conflict. I like this portrayal. I initially preferred the series over the movie because of this.Â
I want Rapunzel to be flawed. I want her flaws to to inform the plot. I want to like her as a character. But I canât. Because the show never acknowledges these flaws, never has her grow as a person. She remains unempathetic and selfish till the end even as she gains more experience, and the show acts like she is justified in hurting others. Â
This exchange is the quillivant of a rich person who donates money to environmentalist causes trying to shame a poor child for daring to âwaste waterâ in order to take a bath, even while ignoring their own factories spewing pollutants into the local river. The show tries to claim that classism is okay so long as itâs perpetuated by the creatorâs favs.Â
Varian is in the Right Â
First off he never claimed that he was only going to take one petal. Rapunzel just assumed that. Also, heâs right there is no difference. Once again Rapunzel has fabricated a distinction in her mind in order to have an excuse to sell her dad. She only hesitates now because taking the whole thing means thereâs more risk of getting caught and less possibility of weaseling out of punishment through deniability.Â
Never mind that Frederic doesnât own the flower anyways. He stole it from Gothel first, outside of his landâs borders. Never mind that him taking the flower actually causes harm to others while stealing it back does not. Never mind that breaking a law to save a human life is not only justifiable but preferable. Never mind that the king is essentially hoarding medicine from the populace, thereby breaking the social contract of a leader towards his people and becoming a despot instead.   Â
No, Varian hurt Rapunzelâs feelings so heâs evil donât you see? He placed his needs above the main characterâs wants and desires, ergo the series treats him as a villain.Â
Look, Iâm not saying that Varian is without fault nor that everything he does is justifiable. But the show (and certain fans) goes out of its way to demonize the character even when heâs doing whatâs actually morally right. This isnât the point when Varian falls to the darkside, thatâs yet to come, but it is the point where the series starts to play favorites with its characters at the expense of teaching coherent lessons.Â
Inconsistent MessagesÂ
Yes, how dare he do the exact same thing as Pascal and Max did two episodes later. Donât you know, heâs the villain; even though he actually has more reason to use the truth serum than they did the mood potion.Â
The problem of centering so much of the conflict on Rapunzelâs personal feelings means that Rapunzel and the show has double standards for how characters are treated. Friends of Rapunzel gets free passes. Lack of friendship means youâre now the enemy and canât be excused. Even though in real life that is what we call nepotism and an abuse of power. Â
Authoritarianism Vs Consequentialism Â
When you mention the word authoritarianism to someone they automatically picture in their head armed men in uniforms marching in the streets attacking innocent people on behalf of a dictatorâs orders. Yet, thatâs not what authoritarianism is. Thatâs fascism, which can spring forth from authoritarians gaining political power but itâs not the only manifestation of this philosophy. Â
Authoritarianism is the belief system that the âauthorityâ is always right, even when wrong. An authoritarian will find any excuse to follow and believe in their chosen authority even when that authority has failed them or others.
The opposing philosophy here is consequentialism. Thatâs the belief that right and wrong are directly linked to consequence. To their minds something is morally wrong if the action has a bad outcome for others.Â
To illustrate the difference let's look at a near universal rule.Â
âMurder is wrong.âÂ
Now both the authoritarian and the consequentialist will normally agree with this. But the âwhyâ to them couldnât be any more different.Â
To an authoritarian âmurder is wrongâ because the authority has deemed it so. That authority can be anything that the anthoritian has personally chosen; God, the government, their parents ect. Itâs completely arbitrary and subject to change on a whim. The authoritarian lacks consistency and conviction and will often have multiple chosen authorities that will contradict one another. If one of those authorities came out in favor of murder then thereâs a strong chance that the authoritarian will change their position or belief as oppose to denouncing their chosen leader.   Â
Meanwhile, âmurder is wrongâ to the consequentialist because there are clear irreversibly bad consequences for doing it. It removes a life from the world. All possibilities for that person are now forever snuffed out. It hurts those left behind. ect. The consequentialist is consistent in their beliefs so long as the consequence remains the same. They canât be swayed by mere orders. Thatâs not to say that consequentialism is incorruptible. A consequentialist can easily become a knight templar if they are forced to weigh consequences against each other. Then it becomes âmurder is still wrong unless it achieves this arbitrary goalâ. Â
In truth, morality is a sliding scale for most people and you normally hold more than one ethical belief system. However history has proven that authoritarianism is the more often dangerous and corruptible philosophy as it relies heavily on peer pressure, groupthink, and yes, abuse. Most authortians don't come from healthy loving homes. Either they were abused or are abusers themselves. When conducting studies on authoritarianism psychologists and sociologists use questions about parenting in order to pinpoint who is and isnât an authoritarian as most people arenât going to just come right out and claim we should go back to feudalism and the divine right of kings.Â
An out of control authoritarian is a bully with power. An out of control consequentialist is just a vigilante.Â
Frederic and Varian are the representatives of the two sides of these opposing belief systems and the representatives of what happens when people with those belief systems become corrupt. By having the main character choose between the two of them and siding with the her father, the authoritarian, the show is now validating this philosophy.Â
Breaking an unjust law shouldnât be presented as a bad thing here. Blindly accepting Fredericâs rule shouldnât be the end result of all this. Excusing his abusive behavior shouldnât be the finale outcome of the story. Thereâs not a single thing that Frederic, and by extension Rapunzel, does that hasnât been done by corrupt governments in the real world. Their reasons for doing so be damned.Â
Given the current political landscape and the increasing push to give real life anthortirans more power, this was absolutely the wrong message to put into a childrenâs show. Itâs not that children will grow up to become authoritarians themselves by just watching the show, but it can condition them to go along with authoritarian abuse if they are now familiar the excuses abusers use to validate their actions. Especially, if they are already trapped in an abusive environment and are being fed these excuses by their current abusers.Â
I've already seen this toxic thought process played out by younger members of the fandom who are only just now forming their moral codes. âAccept whatâve youâve been given.â âItâs okay, your parent (the authority) loves you and knows whatâs bestâ âHurting people is alright because theyâve been hurt you need to ofter up understandingâÂ
NO!
Theses arenât good lessons. These are the lies fed to you by abusive people. And the show repeatedly validates, justifies, and excuses both abuse and political corruption. Whether the creators believe this philosophy or not, they just approved of it anyways through their own incompetence. Â
Varian has Every Reason to Not Trust Rapunzel
This the third time in three months that Rapunzel has backed out of helping him. All for increasingly flimsy reasons. Sheâs making a lot of promises here but not offering up any concrete solutions. Remember sheâs not ready to confront her father yet, and neither of them know that sheâs the sundrop herself. So what is her plan here? How is she suppose to recuse Quirin and prevent Varian from being unjustly punished if she canât stand up to the one person who is responsible for causing these problems in the first place.Â
Can you really blame Varian for going through with what he does here given how she has treated him thus far and would most likely continue to treat him? Yet thatâs precisely what the show wants you to do because âstealing is wrongâ even though in this case it actually isnât.Â
This is Out of Character
Once again, both Cass and Eugene have no reason within the current narrative to be so hostile towards Varian, yet. Theyâre only doing so now to create bias in the viewer. For Eugene this is especially out of character. I mean weâve already seen Cass place her ambitions of above others peopleâs needs both before and after this, but Eugene is constantly written as the heart of the show. Heâs suppose to be the most empathetic and caring person in the group, and yet here he is trying to arrest an orphan whoâs only stealing to survive. Sound familiar? He of all people should be the first to defend Varian not attack him.
Excuse You, Raps!
You know very well what he is. Heâs a child. A lost, lonely, grieving, and desperate child whoâs been let down by everyone who is responsible for him including yourself. But far be it for the show to actually point this out by stating it plainly and show you for the self centered ass you really are.Â
Scenes Like This are Why Varian Should Have Been the Deuteragonist
His story maybe connected to Rapunzelâs but it doesnât revolve around her. He has his own stakes and conflicts that happen to intersect or oppose with Raps given whatever point in the narrative weâre at. As such we gets scenes like this one in his lab where he is the sole focus and is pushing the story forward. No other character actually gets this.Â
Eugeneâs arc has little to no bearing on the overall plot and Cassandraâs solo scenes in season three do nothing to further push the story nor give new insights into her character, as her given goal and motivation is too dependent upon Rapunzel herself to be shown separately. Â
Out of all the main characters, Varianâs conflict is the only one that holds enough tension to maintain a separate story line. He needs this focus in order to make sense of what's going on with the larger picture and to resolve his conflict in a satisfying manner. Had the the creators been smart enough to follow through with Varianâs story till the end instead of dumping it at the last minute in season two and hastily rewriting a half-arsed resolution it in season three, then weâve could have gotten the Disney equivalent of a Zuko vs. Aang, Loki vs Thor, or even Duck vs Rue/Fakir arc. As is, weâre only left with the table scraps of several loosely connected stories none of which are very satisfying to watch.Â
Conclusion
I still like this episode and Varianâs arc overall but I can't in good conscience call it well written knowing now where it all leads to. Nor can I in could good conscience recommend the show knowing the awful morals it touts. And that makes me angry. Angry that I was fooled into thinking that this show had depth and maturity. Angry that I ever once held this show up as being good. Angry that I invested myself into believing that this show would finally give me a decent Disney anti-villain that I could like. Angry that trusted the creators not to be raging arseholes who made poor creative decisions based off of ego and questionable ethics...
I started this marathon so that I could vent my feelings and gain some closure, while also opening up a frank discussion about how bad creative decisions can lead to bad lessons in children's media. This show has many of the same problems as a lot of current tv series do but all condensed down into one place and there are things to be learn from that.However after this series of reviews are over I doubt Iâll ever watch the show again. Itâs honestly not worth the time.Â
#varian#rapunzel#anti-tangled#anti-rapunzel#tangled#tangled the series#rapunzel's tangled adventure#review#character analysis
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